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However, our lead undertakes a distinct and impactful journey. It also applies to the character development, too, as so much of it is internal that one could mistake it for being absent. All in all, the almost 'back-seat' approach works for the genre but it's still a double-edged sword. Yet, the lack of 'hand-holding' is also appreciated and the viewer is given perhaps more agency than usual. In this way, it almost feels like it lacks the punch to properly sink into the issues on display. However, the opportunity for social-commentary such a setting provides isn't quite as capitalised on as you might expect, since the judgement of its antagonistic characters and thought-processes very much rests on its audience's shoulders. It condemns its central situation - and specifically the very real institutions and mindsets that it showcases - simply by portraying it in as honest a way as possible, thereby allowing the audience to come to their own, hopefully universal conclusions about the underhanded evil on display (whether or not it's perpetrators know it to be so). Set amongst a backdrop of insidious emotional manipulation and subtle, self-hate inducing abuse, 'The Miseducation Of Cameron Post (2018)' is a low-key character-drama that excels at letting itself play out in an unexaggerated, 'realistic' way.